Six watches drawn from the films we grew up watching. Exposed movements, a starfield under sapphire, and colour used with intent.
Each of these six began with a palette taken off a screen — a suit, a piece of engineering, a night sky — and ended as a dial.
The references live in the design and nowhere else: the colours, the dial architecture, the way light moves across a case. Nothing here borrows a name, a mark or a likeness that is not ours to borrow, and none of these are official anything.
Take whichever one you recognise.
Straight off a costume that was never trying to be subtle, and neither is this. Cobalt case, flat black dial, hard yellow markers cut square like tools, and three red hands slicing across the lot.
Colours picked the way warning signs pick colours. Wear it with something plain and let it do the talking.
Most watches hide the movement behind a dial. This one takes the dial out and shows you the whole mechanism, finished in ice blue, running behind the glass whether or not anyone is watching.
Red ceramic bezel, gold surround, steel flanks. Unapologetically two-tone in an era that mostly is not.
A twelve-sided bezel and a bracelet that flows straight out of the case with no lugs anywhere — the hardest case architecture to get right, because there is nowhere for a mistake to hide.
Behind the sapphire, a full skeleton movement on deep green. Doing an enormous amount of work and showing none of the strain.
The film ends. The watch does not.
No numerals. No date. No block of text beneath the centre. A single field of red running bright at the middle to near-black at the edge, with blunt markers set straight into it.
The case is blacked out so nothing competes with the colour. The fastest-reading watch here, which is the point.
The same dial architecture, turned into daylight. Saturated yellow, brushed steel, and a navy webbing strap doing the quiet work of keeping it the right side of formal.
The two were drawn as a pair and are usually bought that way, one after the other.
A true starfield dial — deep indigo shot through with natural inclusions, so the light on your wrist never lands twice in the same place.
Around it, a chapter ring that breaks white light into colour as it turns. Rose gold hands, navy alligator-grain leather.
The Movie Collection is not on sale yet. Leave your email and we will write to you the moment it opens, with pricing, sizes and first pick before anyone else.
Separate from this collection entirely. The Atelier is our private commission side — two days in Switzerland, by invitation, designing a one-off watch at the bench with both of our master watchmakers.
Step Through
